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Showing posts with label Avenged Sevenfold. Show all posts
Showing posts with label Avenged Sevenfold. Show all posts

Friday, 8 November 2013

Troll lols

It's my favourite time of year; Download headliners.

In the last year my poxy day job has kept me from immersing myself in new music as much as I would like, which has meant the creative blogging juices can get a bit dry. However, come Download headliner time, the plethora of material to choose from across the webosphere is more than I can cope with.

So what do I think, I hear you ask?

Avenged Sevenfold, the first announcement, was pretty obvious and a great response to both crowd demand and the schools who believed no 'new' bands were ready to step up the the plate (aside from Slipknot). This will be the biggest gig A7X have done and it's going to be a lot of work for them but as Synester Gates riffs his way through The Beast and the Harlot I'm sure the crowd will get moving.

Next came Linkin Park. I have always said I would only see Linkin Park if they played Hybrid Theory, an album which I almost wore out at university whilst trying to impress girls with my baggy combat trousers and classic turn of the century over-gelled hair. I firmly believe everything they've done since has been disastrous (except for the outing with Jay-Z) but as they have confirmed they'll be playing Hybrid Theory in full, this will be one hell of a show. Possibly.

And then there's Aerosmith. Good old Aerosmith. Their last headline performance at  Download 2009 (I think that's right) in the pissing rain fluctuated between average and bloody spectacular. Steven Tyler has one of the greatest voices in the rock world and the spirit of the crowd during songs like Love In An Elevator is something else. Are they exciting enough to close the festival? Absolutely. Is it the best booking? No. I backed Bon Jovi in a conversation with my mate The House (but at least mentioned Aerosmith so can retain a small level of 'told you so'-ness) as I reckon they would tear Donnington's hallowed ground apart.

My [always correct] opinions aside the absolute highlight of the festival season is the internet trolls. My eyes lit up when I saw A7X and Rob Zombie announced; with only these two out of the 100+ bands on the poster comments like "shit festival" and "rubbish emo band" made my day. Adding Linkin Park was even better and I could sense thousands of greasy haired teens in Seasons In The Abyss t-shirts pausing World of Warcraft to furiously protest by commenting on the Metal Hammer Facebook page.

It's going to be a fun few months.

M
\m/

Friday, 13 September 2013

Headlining things

Is anyone else bored of seeing Cara Delavigne's face? Everywhere I look there's a pout and a pair of thick eyebrows. It's thoroughly annoying.

Anyway, I digress. Avenged Sevenfold; what a return. Following on from the tragic loss of founder member and drummer Jimmy 'The Rev' Sullivan in 2011 it's fair to say A7X's future was uncertain. However, the release of Hail to the King at the beginning of September saw them enter the UK album charts at number 1. Not the rock chart, not the alternative chart; the actual chart. M Shadows et al are currently sharing musical real estate with the likes of Ellie Goulding and feeble dribblers Passenger.

I've never been a huge fan of Avenged. Don't get me wrong, their back catalogue contains some absolute bangers but they're not a band that has ever caused my metal scrotum to tighten. I saw them support Maiden in 2008 and remember thinking they were pretty decent but my adulation goes no further than that.

This being said, I'm clearly in a minority. The hoards of former Tweens who inevitably bought Hail to the King will think I'm an idiot, as will the bookers who have Avenged Sevenfold headlining at Wembley Arena in November. Plus, the Huntingdon Beach mob are widely regarded as a shoe-in for a headline slot at Download 2014.

It seems that we are finally seeing the next wave of 'that big' metal bands. Slipknot blazed the trail to join the likes of Metallica and Iron Maiden as 'nothing other than a headliner' at festivals, and there's every chance that A7X will follow. 

Who else can get there? My ponderings on some of the popular names banded about are as follows:

Trivium?
They looked like they would do it but their insanely fast rise to the almost-top was ultimately their downfall. Despite Shogun and In Waves proving the Floridians are still major metal contenders, they're unlikely to reach the levels of popularity experienced around the Ascendency era. 

Lamb of God?
Not yet, but in time. Years of graft, tune upon tune and a legendary frontman tick a lot of boxes, plus a headline slot at Bloodstock 2013 means Randy and the boys are definitely on the ladder.

Bullet For My Valentine?
Probably, but it won't be a popular choice. The early days of metalcore-meets-thrash with a pretty frontman means that BFMV were the ones to watch a three or four years ago. However, a couple of weak releases later, they're becoming a bit of an also-ran.

Bring Me The Horizon?
Nowhere near ready to take on 80,000 from the main stage but this mob have been improving and improving over the last three albums, culminating in this year's fucking excellent Sempiternal. Another couple of albums of this level and its difficult to see how BMTH can't reach the top of the game.

30 Seconds to Mars?
It would be a popular choice with teenage girls but other than that, fuck right off.

Right, I need to try and find a way to listen to the new Crossfaith album whilst at work. Without even hearing it I can almost guarantee it'll be in my top ten of the year.

M
\m/

Headlining things

Is anyone else bored of seeing Cara Delavigne's face? Everywhere I look there's a pout and a pair of thick eyebrows. It's thoroughly annoying.

Anyway, I digress. Avenged Sevenfold; what a return. Following on from the tragic loss of founder member and drummer Jimmy 'The Rev' Sullivan in 2011 it's fair to say A7X's future was uncertain. However, the release of Hail to the King at the beginning of September saw them enter the UK album charts at number 1. Not the rock chart, not the alternative chart; the actual chart. M Shadows et al are currently sharing musical real estate with the likes of Ellie Goulding and feeble dribblers Passenger.

I've never been a huge fan of Avenged. Don't get me wrong, their back catalogue contains some absolute bangers but they're not a band that has ever caused my metal scrotum to tighten. I saw them support Maiden in 2008 and remember thinking they were pretty decent but my adulation goes no further than that.

This being said, I'm clearly in a minority. The hoards of former Tweens who inevitably bought Hail to the King will think I'm an idiot, as will the bookers who have Avenged Sevenfold headlining at Wembley Arena in November. Plus, the Huntingdon Beach mob are widely regarded as a shoe-in for a headline slot at Download 2014.

It seems that we are finally seeing the next wave of 'that big' metal bands. Slipknot blazed the trail to join the likes of Metallica and Iron Maiden as 'nothing other than a headliner' at festivals, and there's every chance that A7X will follow. 

Who else can get there? My ponderings on some of the popular names banded about are as follows:

Trivium?
They looked like they would do it but their insanely fast rise to the almost-top was ultimately their downfall. Despite Shogun and In Waves proving the Floridians are still major metal contenders, they're unlikely to reach the levels of popularity experienced around the Ascendency era. 

Lamb of God?
Not yet, but in time. Years of graft, tune upon tune and a legendary frontman tick a lot of boxes, plus a headline slot at Bloodstock 2013 means Randy and the boys are definitely on the ladder.

Bullet For My Valentine?
Probably, but it won't be a popular choice. The early days of metalcore-meets-thrash with a pretty frontman means that BFMV were the ones to watch a three or four years ago. However, a couple of weak releases later, they're becoming a bit of an also-ran.

Bring Me The Horizon?
Nowhere near ready to take on 80,000 from the main stage but this mob have been improving and improving over the last three albums, culminating in this year's fucking excellent Sempiternal. Another couple of albums of this level and its difficult to see how BMTH can't reach the top of the game.

30 Seconds to Mars?
It would be a popular choice with teenage girls but other than that, fuck right off.

Right, I need to try and find a way to listen to the new Crossfaith album whilst at work. Without even hearing it I can almost guarantee it'll be in my top ten of the year.

M
\m/